Dance Communicates Via the Human Body Essay Example | Topics and Well Written Essays - 1500 words

Dance Communicates Via the Human Body - Essay ExampleIt offers undergraduate and post-graduate programmes in contemporary leap creative person training and professional development (Laban website 2006). As for SDDC, since it was formed by Siobhan Davies in 1988, it has been Britains flagship independent dance company (Siobhan Davies Dance Company website 2006). The company is primarily a dance production outfit, but it also focuses on professional development of dancers. Thus, SDDC holds activities such as workshops and masterclasses aimed at the higher level dance, music and visual liberal arts students, educationalists and professionals (Siobhan Davies Dance Company website 2006).While the institutional nature of Laban and SDDC is not identical, the development of these companies illustrates that their general form _or_ system of government and direction are the same. For the past decade, both Laban and SDDC embrace the policy of enriching dance language through the diverse mix of surgery (Laban website 2006, Siobhan Davies Dance Company website 2006). For instance, Laban encourages students to perform works that are experimental and defy traditional definitions. The Laban firm also presents work by companies as varied as The Cholmondeleys, Featherstonehaughs, Henri Oguike and Societas Raffaello Sanzio (Prospectus Introduction 2006). With regards to SDDC, it has moved away from presenting work in proscenium-arched theatres to different spaces. For example, since Plants and Ghosts in 2002, SDDC has used non-conventional performance areas such as an aircraft hanger, a gallery and a warehouse (Working with our audiences n.d.). The respective direction of Laban and SDDC also demonstrates a trend within British contemporary dance companies to encourage collaborative effort between different art forms and to design dance movements based on interactions across fits and passions. Recently, Laban and Trinity College of Music - two really distinctive specialists in their respective art forms - have merged to form Trinity Laban. Laban and Trinity relocated to the same quarter in South atomic number 99 London to facilitate conversations and collaborations between students of the two art forms (Prospectus Introduction 2006). In SDDC, works such as In Plain Clothes (2006), Bird call option (2004) and White Man Sleeps (2004) are clearly creations that attain new height due to Daviess exemplary choice of artistic and technical collaborators. Consider also, SDDCs successful perpetration of artists from different disciplines, including author Caryl Churchill and sound artist Max Eastley, to engage in extended periods of intensive research with the company dancers (Working with our audience n.d.). In the realm of enriching the conversation about contemporary dance, British modern dance companies have embarked on sharing and extending their discoveries within and beyond the profession (Prospectus Introduction 2006). Consider, for example, Labans ambitious programme of reaching out to the greater community and enriching the debate on dance through its varied publications. Laban regularly publishes the Dance Theatre Journal, which is UKs leading dance journal screening reviews on current thinking in dance and related art. Discourses in Dance, another journal published by Laban, has an international audience. It explores the rapidly expanding academic discipline of dance studies by addressing issues such as testing new methodologies and examining dance in relation to critical theories, cultural studies and cognate disciplines.